Jenny Chapman
Bookings 

Jen is the beating heart of Sandstorm, she started her career as a freelance production assistant and after a number of 29 hour a day shifts at Sandstorm, was convinced we were the company for her. 

Jen’s tireless energy for perfection gives you the studio experience of a life-time, on the off occasion she isn’t at the studio, the entire place falls to pieces. 

Jen coordinates all our bookings, scheduling and delivery. She is also Tom’s PA, which is lucky, as he can barely dress himself without the help of an army.

Kitt Pope
Set Builder

The antipodean set building super star takes a pretty relaxed approach to life… on the face of things at least (although not based on his work profile pic) and then ballistically turns his hand to any studio challenge you can imagine. Kitt has freelanced with Sandstorm for a few years and joined the team full time at the beginning of 2020. This man is tireless, focused and an essential weapon in the Sandstorm arsenal. 

Throughout lockdown he personally chose to change his shift pattern to observe social distancing while continuing to build sets and also complete the construction work on Director Club.

Charlie Wicker
Camera Assistant

Charles’ first experience on set at Sandstorm was at the tender age of 15, nine years on and he has found his niche as our in-house camera assistant. He also has a fantastic knowledge of the TechnoDolly system and is regularly seen running the rig as a motion control robot.

He has grown up in the studio with an Arri Alexa at his side and there is very little he doesn’t know about the serious ‘big boy’s toys’ we keep in the kit room at Sandstorm.

Peter Matysek
Chef

Ayo Hughes
Strategy Director

Ayo spent over twenty years in some of the world’s leading creative agencies, producing TV commercials and integrated campaigns – if he hasn’t experienced it, there is a high likelihood that it is simply not important!. 

In his agency production role he met Tom and Sandstorm in 2001. The two have worked together ever since, traditionally with Ayo as the agency lead and now, as of 2016, with Ayo as the strategy lead for Sandstorm.

Ayo shares Tom’s vision and way of working, ‘why make it complicated?’ and always look for the best way of producing content.

He was an early adopter of real digital content (well before the word ‘content’ even became a term) and sees every project as a chance to fully understand and deliver every key marketing asset in the simplest and most creative way possible… in short, Ayo will make your work more effective.

Matt Wicker
Director of Photography

Matt started his career in London, working as a photographer’s assistant, before running his own studios.

His studio merged with Sandstorm Films in 2013 to manage and produce product focused photography and film.

Time and time again, Matt not only proves himself to be one of the most knowledgeable and precise Directors of Photography in the world today but also an unrivalled expert wrangling products. There is no production issue that Matt has not had to solve before.

Tom Ward
Executive Producer

Tom is a workaholic with an intense interest in all parts of the production process. Very technical and incredibly impatient, Tom likes solving problems, even problems that don’t seem to exist yet… 

He is obsessed with cutting smoke and mirrors out and making films without complexity or unneeded costs. You will regularly see Tom directing and shooting, but he is happiest just jumping in on the many different projects at Sandstorm as an executive producer and (sort of) technical advisor to add little bits of advice.

He personally designed and built all the studios (with quite a lot of help from professionals) and has spent his career looking at how you improve the production process, every little bit of it. He has run Sandstorm for over twenty years, from humble beginnings in Soho Square to offices around the world to a comprehensive and complete production facility near the Cotswolds which is the home to an experienced super team, great kit and amazing studios.

Marie-Ann ‘Maz’ Morrell
Producer

Maz is the ultimate example of a modern film production hybrid and the embodiment of how Sandstorm operate.

Prior to working at Sandstorm, Maz was based in London as a producer and editor, bringing her versatile ability to orchestrate, coordinate and create everything from global TV commercials to versioning projects to Sandstorm and our clients in 2012. Since then, although mainly focused on producing she is still (in Tom’s opinion) the best story-telling editor he has ever met.

On a day to day basis her main focus is keeping our post-production team on course as well as coordinating productions with Jen.

Although Maz may look like a 25 year old model her years and experience are far in advance of that, she’s just very lucky (unlike Tom) to have incredible genetics!

Dann Emmons
Director Of Photography

Dann is a regular Director of Photography and Cameraman at Sandstorm, he is incredibly inventive and has a great eye for composition and visual storytelling.

Though we always encourage a bit of healthy competition, it is not uncommon for Dann and Matt to partner up on shooting projects where Dann’s more organic location experience teams up brilliantly with Matt’s uncompromised ability to light a product or a set.

Peter ‘Pedro’ Morrell
Director

Pedro started his career in Soho before joining our London office in 2008. Today, based at our studios on the edge of the Cotswolds, he heads up our post-production department as well as directing and assistant directing high-end commercials and content for some of the world’s leading brands. 

His hybrid skillset is second to none and there is very little he hasn’t had to handle on set.

He is never satisfied until every pixel is perfect, and he fights to make sure projects get as much time and attention as they deserve. What is best about having your post handled by the man who was your assistant director or director is pure continuity. There is never a grey area or confusion in post if Pedro is involved.

Ed Moorhouse
Senior Editor & VFX

Ed spent over a decade working in post-production departments around the UK before joining Sandstorm.

You can spot Ed’s work a mile off, because it’s bloody brilliant. 

His creative flare spans most areas of post, though he specialises in online and grading.

Frazer Hopkins
VFX

Frazer is the ultimate example of a go-getter. For anyone wondering ‘how do I get into the industry’ his example is paramount. His first experience with Sandstorm was when he was just 13 years old and telephoned the studio to see if he could come in and shadow our team, at 16 he joined as an apprentice, after successfully qualifying he joined our post-production team full time.

Five years on and he is mostly found creating superb visual effects or putting unprecedented layers of lens flare onto films. There are very few projects that go through Sandstorm without the Frazer touch – his natural eye for detail and ability to always think of a creative solution to any problem has made him an invaluable asset to all Sandstorm productions. Through lockdown he was part of the live-in team who stayed at the studio, which gave him a great chance to learn about construction and set building, as well as lighting. Full commitment and flexibility make him a fantastic asset to every production.

Mark Patterson
CGI

The most common joke you’ll hear about Mark in the office is that ‘he never has anything to do’… Mark has worked as a freelancer for Sandstorm for over 15 years! Yes, he really is that old. He started full-time in 2018 and his ‘Sandstorm bow’ has a whole lot of strings.

From CGI to DIT, edit to VFX supervision, he’s also a licensed drone pilot, very good at VR, pretty nifty with the TechnoDolly software and knows a few things about a camera. If you need to know where he’s been in the office you follow the trail of empty Diet Coke cans.

Cam Smith
Lighting Technician

Cam joined the Sandstorm crew straight from University and the speed at which he climbed the ladder is unprecedented… he is very tall after all. 

His first day on set was a memorable one for his boss, who recollects the speed and ability to anticipate what was coming next combined with a natural eye for lighting that was advanced of his years. 

Cam was part of the team who stayed at Sandstorm throughout lockdown so we could keep shooting without breaking any rules. In which time he not only lit every project, but regularly set built, ran the camera, autocue and live streaming. He epitomises the energy and enthusiasm of a great crew member, combining a fast can-do attitude with detailed and tireless execution. Put simply, he absolutely loves lighting sets and finding neat, beautiful ways to do it – and he always comes out smiling… usually with a beer in hand.

Curtis Read
Barista & Social Media

Curtis is a swiss-army ninja – the man who is likely to welcome you to the studio, he is one of the most outspoken individuals you’re likely to meet… in truth, you’ll be lucky to get two words out of him, but what he lacks in words he makes up for in actions – and will make you one of the best coffees you’ll probably ever taste.

When he’s not serving up latte art masterpieces he is likely to be attempting to post on our social channels (if Tom ever lets him – N.B social media is banned at Sandstorm).

Katie Scott
Massage Therapist

Katie came to Sandstorm as lead massage therapist in our Director Club… genuinely she did! Yes, we’re a film production company, but everyone who knows us knows we do things differently here. If you’re on a shoot you should be able to unwind as well as make a film – it’s that simple and Katie is here, on hand, full-time to help you do just that.

Katie came to us from Bowood House Spa & Hotel, which in this area of the UK is regarded as the best 5* spa – well apart from us of course. In short, you’re in very safe hands (excuse the terrible ‘dad’ pun). From Thai-styled massage to hot stone therapy, aromatherapy and reflexology to specialist skin and beauty treatments Katie has you covered.